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Liz Scarfe, My Woolly PhD
Liz is an anthropology PhD student exploring how Icelandic sheep wool makes culture as it transforms from the back of a sheep to the back of a human.

My Woolly PhD is a weekly vlog on where Lis herngs. The project engages traditional anthropology methods such as participant observation and interviewing, and also engages a craft-based methodology where Liz uses her own making practices of spinning and knitting to transform Icelandic sheep fleece into Icelandic sweaters.

Liz hopes that her vlog will engage the fibre based community in an exploration of the ways in which wool creates cutlure, and to encourage those in fibre crafts to better understand and value their practice.

Sudiipta Dowsett, Beats + Bass Cultures Research Network

 is an Early Career Research Fellow at the Ethnographic Media Lab, School of Art & Design, University of New South Wales.Sudiipta is an anthropologist of music cultures specialising in the transformative effects of embodied, collective performance practices in Australia and South Africa.

The project aims to formally establish the Beats + Bass Cultures Network and develop a suite of digital resources and platforms for ongoing research dissemination and public engagement. It will increase the visibility, impact and relevance of anthropology through multimedia content, produced by a professional network dedicated to raising the profile of research involving ongoing collaboration with practioners of music-based cultures.

Paul H Mason, Ludo Emica

 @sociocerebral is an anthropologist and educator with diverse experience spanning ethnomusicology, medical anthropology and science and technology studies.

Ludo Emica is an innovative educational tool designed to make anthropology more acessible, engaging, and fun for players of all ages. Ludo Emica will be used as a teaching tool in universities and schools, and will engage the general public with anthropology, offering a fun and accessible entry point into the discipline.

Courtney Boag, Exploring the Intersection of Creativity, Ethics and Anthropology

In this project, Anthroprospective will host a week-long residency at The Ethics Centre at Legion House in Sydney's CBD. Courtney Boag (Founder and Creative Director of Anthroprospective) will engage in "In Conversation" with 13 social science researchers, exploring how anthropologists are navigating evolving ethical challenges within their fieldwork and research domains through innovative practices and methodologies as a way of engaging audiences beyond academia. All interviews will be professionally recorded and edited, inclusive of closed captions, and accessible online free of charge.  

In partnership with The Ethics Centre, a dedicated marketing campaign will promote the project to national and international viewership. The project anticipates to elevate the visibility of researchers to a broader audience, inspire anthropology students, and encourage early-career and mid-career anthropologists to explore innovative means of communicating their research. 

Engaged Anthropology Grant funding of $3,000 has been awarded to contribute to the engagement of a professional photographer/videographer.

Mardi Reardon-Smith, Film: 'A woman and her parrots'

In this project Mardi Reardon-Smith will work as a sole researcher/filmmaker in collaboration with research partners in Cape York to produce 'A Woman and Her Parrots', a mid to feature length sensory ethnography film. The film follows the story of Sue, a settler-descended woman who has lived and worked on a cattle station and also spent close to 30 years working to conserve the endangered golden-shouldered parrot, called the alwal in the Olkola language. 

The film will explore the tension in Sue's work with the parrots and the impact of the cattle grazing, and her entwined relationship with both species; staying with the complicated and uncomfortable collaborations between graziers and other people, and graziers and the environment. The film is intended to reach a broad audience, including anthropologists, but also the general public - through screenings at a community space in Cape York, film festivals, academic conferences and institutions, and gallery and exhibition spaces.

This project has been awarded an Engaged Anthropology Grant of $2,000 to support travel costs associated with the film.

Laura Moran, Where the Kids Are: A Collaborative Exhibition of Tomorrow’s Anthropologists

How does anthropology assist diverse young people to understand their lives in times of global crisis and change? How can the exchanges between young people contribute to a more relevant and sustainable anthropology? Anthropologist Laura Moran will explore these questions through an online exhibition of youth auto-ethnographic writing and anthropological reflections. The online exhibition will be hosted on the Stone Soup website. 

This project has been awarded an Engaged Anthropology Grant of AUD$1,200 for the development of an online exhibition to be launched during Social Sciences Week 2023.

Helen Zeweri, Beyond Refuge: Afghan Refugee Rights Activism in Australia

This project, led by anthropologist Helena Zeweri, seeks to showcase stories of resistance to Australia’s treatment of Afghan asylum seekers through oral histories of Afghan-led activism. Through hosting a podcast series consisting of five episodes, this project aims to centre how the Afghan Australian community conceptualises the relationship between borders, the war in Afghanistan, empire, and resettlement.

This project has been awarded an Engaged Anthropology Grant of AUD$1,780 for the development of a website, five-part podcast series, and co-written journal article.

Alana Brekelmans, Mavis Kerinauiuam 'Turtuni sits in Murrukupuni': Making decisions with country

This collaborative film project explores how people on the Tiwi Islands care for and make decisions about ‘Murrukupuni’ (‘Country’), and what this means for environmental decision-making more broadly. The filmmaking project emerges from the research project, ‘Planning for Economic Development and Biodiversity on the Tiwi Islands’. As a part of this transdisciplinary project, Tiwi researcher Mavis Kerinaua developed the ‘turtuni story’. The story, which is represented in an artwork, encourages Tiwi People and stakeholders to engage in conversation about ethical decision-making based in Tiwi principles and philosophy. 

This project has been awarded an Engaged Anthropology Grant of AUD$2,000 to anthropologist Alana Brekelmans and Indigenous Researcher Mavis Kerinaiua in support of the development of the film.

Hanne Worsoe, How anthropology explains the effects of Australian asylum seeker policy

Anthropologist Hanne Worsoe works with "Rani", a woman in her early twenties of Sri Lankan Tamil background, underwent "fast track" refugee recognition in 2015. Rani is a pseudonym, given the Australian behavioural code she has had to sign forbids her from speaking publicly about her processing. Together, they will tell Rani's story and, in doing so, explore her lived experience of Australia's current asylum seeker policy, which has basic natural justice and human rights excised for the 30,000+ people living in Australia that have undergone new refugee processing.

This project has been awarded an Engaged Anthropology Grant of AUD$5,000 for the development of a peer-reviewed article co-authored between Rani and Hanne, and a podcast or Radio National program on Rani's lived experience. There would also be a more broadly accessible piece published in a weekend magazine or broadsheet, seeking to access as wide an audience as possible.

EndLine: Deathcare Workers and the Covid Crisis

Endline emerged out of a collaboration between researchers (Hannah Gould, Samuel Holleran) from the DeathTech Research Team at the University of Melbourne and Bri Hammond, a documentary photographer based in Melbourne. The project seeks to capture the lived experiences of deathcare professionals working in Victoria during the Covid-19 pandemic, using documentary photography, interviews, and participant observation. The team is currently developing an exhibition, catalogue, and program of events in order to share this ‘backstage’ world of deathcare workers with as broad a public audience as possible.

End Line pays tribute to the people who work in Australia’s deathcare sector, from palliative care nurses and funeral directors, to morticians, crematoria operators, and cemetery staff. The public exhibition will take the audience into the ‘backstage’ of deathcare, a sector that is mostly hidden from public view and is often stigmatised. In intimate portraits and in the small details of working environments, the photographs reveal death work to be an essential service and a practice of care, not only for the dying and dead, but also for the bereaved and the wider community. Theoretically, the project investigates the (in)visibility of labour involved in caring for the dead body within contemporary Australia. The research team, in collaboration with a professional photographer, has conducted portraiture photography sessions, undertaken fieldwork at funerals during lockdown, and interviewed key figures in the Australian deathcare sector. The resulting collection of stories and images powerfully communicates both the professionalism and tenderness of those who handle the dead, provoking the kind of big questions about life, death, ritual, and care that anthropology has been so skilled at answering.

The judges considered this an excellent project - timely, original, and political in both a nuanced and intimate sense. A public photography exhibition is an innovative way of getting people to think about the multi-modal ways in which anthropology is practiced beyond the text. The focus on “backstage” deathcare practices also helps demonstrate the ways in which anthropological approaches can shed light on the facets of crisis sometimes obscured in mainstream media platforms.

Endline has been awarded an Engaged Anthropology Grant of AUD$1,250 to support some of the public-facing outcomes for this project, namely the development of a public program of talks and events and the production of an exhibition catalogue.

For a sneak preview see 

Music! Dance! Culture!

Music! Dance! Culture! is a new podcast which explores the study of music, dance and other performing arts across cultures. Produced by Mahesh White-Radhakrishnan, an anthropological linguist, ethnomusicologist, musician and Honorary Associate at the Sydney Conservatorium of Music, and Georgia Curran, an anthropologist and DECRA Fellow based at the Sydney Conservatorium of Music, University of Sydney, the podcast aims to bring greater awareness of anthropological ideas relating to performance.

Music! Dance! Culture! is aimed at listeners who are interested in understanding more about the cultural aspects of music and dance but may not have a background in anthropology or ethnomusicology. The episodes will be produced in a way that will make them engaging to this broad audience through audio examples including field recordings, discussion with relevant authors and practitioners, as well as putting theoretical insights into more non-academic language with plenty of opportunities for fun storytelling. The intended benefits of this project are to make research on music and dance traditions, and theories of performance more accessible to a broader audience. The series aims to increase the reach of the work of anthropologists, linguistics, and ethnomusicologists to a broader public, and provides an invaluable opportunity for the participation of research collaborators and music practitioners.

The judges considered this a very exciting and feasible project, which builds on the applicants’ existing research partnerships and academic scholarship. An ethnomusicology podcast series is an innovative and relatable way of highlighting to public audiences the wide range of mediums and topics covered by the discipline, and to centre music in particular as a valid object of ethnographic inquiry.

Music! Dance! Culture! has been awarded an Engaged Anthropology Grant of AUD$1,250 to support the production of a pilot series of six episodes. This pilot series will explore the value of ethnographic research on music and dance, paralleling the theme of a special issue of The Asia Pacific Journal of Anthropology, guest edited by Georgia Curran and Mahesh Radhakrishnan. Each episode will feature a guest researcher or practitioner of the music tradition being discussed, along with audio examples of music and insights into theoretical ideas.

For a sneak preview see  and keep an eye on the website  for more updates.

Conversations in Anthropology

Conversations in Anthropology is a podcast about life, the universe and anthropology produced by David Boarder Giles, Timothy Neale, Cameo Dalley, Mythily Meher and Matt Barlow. It features interviews with anthropologists and anthropology-adjacent practitioners about their work, the state of the discipline, and the contributions anthropology may make towards pressing contemporary concerns. This podcast has been running since early 2017 with minimal institutional funding and many hours of volunteer time. To the team’s great credit, the podcast has built a substantial following over its 40 episodes so far, broadcasting conversations with a range of scholars including Paige West, Anna Tsing, Elizabeth Povinelli, Ghassan Hage and many others on issues of popular and public interest.

The Conversations in Anthropology team has been awarded an Engaged Anthropology Grant of AUD$2,000 for the development of a website with new content, with a view to broadening the podcast’s audience and increasing its accessibility. Developing this online presence will create a reliable and easily navigable repository for podcast content, including podcast-related news, publications and—most importantly—transcripts of its anthropological interviews. Such an expanded web presence and readily available textual resources will amplify the visibility and accessibility of the podcast, and by extension increase visibility and accessibility for anthropological research, both among anthropologists and members of the public.

The Familiar Strange

The Familiar Strange (TFS) is a well-known public anthropology project produced by Alexander D'Aloia, Deanna Cato, Carolyn West, Matthew Phung, Shan Lu, Timothy D Johnson, Clair, and Simon Theobald. Its primary outreach is a weekly podcast and blog, producing high quality content that has built a substantial following, including more than six thousand podcast listens a month across the world, with the audience primarily consisting of people who have an interest in anthropology but do not necessarily practice it in or outside of academia. The main aims of the project are to “to make the strange familiar" and to emphasise the relevance of an anthropological approach in both understanding and addressing complex problems.

The Familiar Strange team has been awarded an Engaged Anthropology Grant of AUD$500 for the transcription of a selection of popular podcasts, which will then be promoted across TFS channels, including social media, the website, blog and podcast. The team at TFS are firm believers that knowledge should be as accessible as possible. While interview and conversational podcasts are an excellent format for accessibility, they have their drawback for those with hearing difficulties or whose level of spoken English makes it difficult to follow an animated conversation. The transcripts will improve accessibility to TFS productions and therefore their ability to make anthropological knowledge more accessible and engaging to an ever growing general audience. Plus, they're great tools for the classroom!